Tibetan in its culture, religion, and lineage, though it is physically located inside the borders of Nepal. I developed an illustrative system with a clear visual hierarchy, translating dense, layered shrine displays into flat, numbered illustrations that mirror the arrangement of each physical space. Typography, colour, and pattern were drawn directly from the monastery's own visual language: the Nepalese Buddhist flag, the shrine's palette, and a dedicated Tibetan typeface for authenticity alongside the headline and body fonts.